Repertoire

Here is the list of our repertoire from the last few years. CD selections are indicated with take one.

Wir eilen mit schwachen, doch emsigen Schritten (Cantata No. 78) – Johann Sebastian Bach
Laudate pueri (Drei Motetten, op. 39, No.2) – Felix Mendelssohn
Da pacem – Jeff Enns
The Dawn is not Distant – Christine Donkin
All through the Night – Welsh traditional, arr. Donald Patriquin
The Hockey Song – Stompin’ Tom Connors, arr. Larry Nickel
Changed Forever – Shari Ulrich, arr. Kate McColl
O magnum mysterium – Morten Lauridsen
Five Japanese Love Poems – Walter Watson take one
Mon coeur se recommande à vous – Orlando di Lasso take one
Ein Hennlein Weiss – Antonio Scandello take one
“Suite” de Lorca – Einojuhani Rautavaara
The Song That Goes Like This (from Spamalot) – John Du Prez and Eric Idle
Selections from Stabat Mater – Giovanni Battista Pergolesi

Ave Maria – Cesár Alejandro Carrillo
Ave Regina Coelorum – Gregor Aichinger
Magnificat – Lana Walter
Heaven Somewhere – African-American Spiritual, arr. Hatfield
Red River Dances – American Folk Songs, arr. Cristi Cary Miller
Già Il Sole Dal Gange – Alessandro Scarlatti, arr. Jill Gallina take one
Concerto for Singing Chickens and Piano – Stephen L. Lawrence (with apologies to Beethoven and Tschaikowsky)
When Love Is Kind – English folk melody, arr. A. Lehmann
The Twelve Days After Christmas – Frederick Silver
Scherzo – Paul Goldstaub
The Boogie Woogie Bugle Boy – Don Raye/Hughie Prince, arr. Frank Metis
For Good, from Wicked – Stephen Schwartz, arr. Audrey Snyder
Oh, Dear! What Can The Matter Be? – English folk song / François Gossec, arr. Ruth Artman

Ave Maria – César Alejandro Carillo
Christe eleison, from Mass in B Minor, BWV 232 – J. S. Bach
Bist du bei mir from Anna Magdalena’s Notebook – Gottfried Stölzel, composed ca. 1718
Ave verum corpus, Op. 65 no. 1 – Gabriel Fauré
Laudate Dominum from Vesperae solennes de confessore, K 339 – W. A. Mozart, arr. Doreen Rao
Alleluia, from Exsultate, jubilate, K. 165 – W. A. Mozart
Sound the Trumpet – Henry Purcell
Art is Calling for Me, from The Enchantress – Victor Herbert
My Luve is like a Red, Red Rose – Robert Burns, trad. Scottish, arr. B. Sadler Wells and Emily Lyall
Shule Agra – trad. Irish, arr. Judith Watson
How Do I Love Thee? – Nathan Christensen
To People who have Gardens – trad. Scottish melody, arr. Stephen Smith
Cuckoo, from Friday Afternoons, Op. 7 – Benjamin Britten
Henry King – Norman Gilbert, text by Hillaire Belloc
Chad Gadya – trad. Jewish, arr. Mark Glick
One, from A Chorus Line – Marvin Hamlisch, arr. Anita Kerr

Missa Brevis in D – Benjamin Britten
Petites Voix: Five Settings for Women’s Chorus – Francis Poulenc
Two Spanish Traditional Songs – arr. Michael Neaum
Mille Cherubini in Coro – Franz Schubert
Come, Ye Makers Of Song – Ruth Watson Henderson
Ave Maria – Asíns Arbó take one
Pastor, quien Madre Virgen ha mirado – Francisco Guerrero
Suscepit Israel from Magnificat – J.S. Bach
Three Little Maids, from The Mikado – Arthur Sullivan
Il est bel et bon – Pierre Passereau
Smoke Gets In Your Eyes – Jerome Kern, arr. William Stickles
Folk Songs op. 15 (#1, 2, 4, 6) – Sergei Rachmaninoff
Pop Goes the Weasel: a choral paraphrase – Wilhelm Schäffer, arr. John A. O’Shea
The Quangle Wangle’s Hat – Felicity M. Williams
Rattlesnake Skipping Song – Derek Holman
Shiru! – Allan E. Naplan
Dona Nobis Pacem / Song Of Peace – Traditional / Mary Donnelly